Through a singular appropriation of concepts and resources from a variety of disciplines, authors, and traditions such as anthropology, electroacoustic music, Jungian psychology, Tarot and acoustic ecology, Mexican composer, inventor and performance artist Guillermo Galindo offers a completely new approach towards the sound object: Physical and metaphorical evidence of violence and exodus in the contemporary, desolate landscape of migration, in particular as it exists between Mexico and United States.

Redefining the borders of the orthodox notion of sound and its properties and possibilities, Galindo invokes the animist force of societal traces, and the composer´s storytelling capacities, in a theater of spectra found in between nations.